The Top 5 Electronic Albums of 2013

Season's Greetings, Happy Holidays, Merry Christmas, Happy Chanukah, one and all!  Or if you don't celebrate anything this time of year, Happy Antipathy Month! 

It has been a good year for all genres of music.  Perhaps less so with electronica, but there were still several solid releases.  Since electronics seem to be the only holiday gift that matters, I present to you our top 5 electronic albums of 20013.  This list is varied between the different schools of electronic music.  You won't find house or EDM in this list.  What you will find is some other great stuff.  Here they are:

1. Trentemoller-Lost
Before the later year release of this album, it would have been difficult to predict Trentemoller even making this list, let alone coming in at number one.  That's because we didn't know this Danish composer was working on new material until late August.  It would have been even more difficult to predict what kind of flavors were on order with this album.  Unlike his previous album, Lost incorporates a wide variety of vocals from a number of gifted singers.  Instead of breaking away from tradition, however, Trentemoller simply seeks new musical territory.  The result is nothing sort of astounding.  The deep pulses and electronic rhythms against a sea of blurry undercurrent still remain, as do the heavily distorted guitar lines.  What is new sounds almost like dreamy pop, delivered in spectacular doomy fashion.  This album grabs you from the first track and does not relent.  Speaking of which, here is that first track.


M83-Oblivion (Original Motion Picture Soundtrack)
Normally, soundtracks do not count for album of the year awards.  Unless said soundtrack is a collection of compositions by one artist.  This doesn't happen extremely often.  When you think of electronic artists making movie soundtracks, you immediately think of Daft Punk's excellent work for Tron: Legacy.  In that same vein is the new work for Oblivion, which stars Tom Cruise.  This is a major departure in sound for M83, a French nu-gaze artist with some excellent talent.  With Oblivion, M83 trades in the guitars and pedals for an entirely symphonic electronic production.  In this album every sound you hear is being produced synthetically.  The album's closer is probably closer in style to normal M83 work, and it is the only track on the album with vocals.  You need to hear both.


3. Ulrich Schnauss-A Long Way to Fall
The first solo work released by Ulrich Schnauss in quite a long while is as good as any of the work he's done.  His latest works have been his collaborations with Jonas Munk and Mark Peters.  That should give an idea of what Ulrich Schauss sounds like.  What you hear is a deep, chill-wave style of music with some random infusions of jazz over long, soaring synths.  This album sounds darker than his previous work.  It is a very solid release.  You can listen to some of it here.


4. The Luna Sequence-The Day the Curse Grew Stronger
If you are in the market for some good old-fashioned electronic synth rock, this album should be right up your alley.  The Luna Sequence unveiled their debut album two years ago.  That was a very good effort.  This release lays down razor sharp, computer-enhanced guitar lines to create a metallic frenzy of rock and electronic.  This is a somewhat odd style, less mainstream than Celldweller, less metallic than Blue Stahli, and less industrial than I Will Never be the Same.  Also of note: There are no vocals, which really allows the music to shine.  Jump into some of the chaos here.


5. Klaus Schulze-Shadowlands
How often do you come across a double album that contains only five tracks?  That is just what German composer Klaus Shulze has done with his airy, ambient electronic new album.  As you would imagine, the tracks are very long, so this is not music for short attention-spans.  It works best as background music for when you are playing solitaire or...um, writing a music blog.  This music is dreamy, atmospheric, and beautiful.  One of track on this album is a shade under 42 minutes long, while another falls just short of an hour, a hefty 55 minutes.  The track you will hear below is the shortest track on the album. 


Of course, this list would not be complete without some honorable mentions.  Here they are in no particular order.
Cosmo's Midnight-Surge
Public Transport-Dark Days
Boards of Canada-Tomorrow's Harvest
Daft Punk-Random Access Memories
The Knife-Shaking the Habitual
Logos-Cold Mission

As always, thanks for reading, and enjoy!

Celldweller-Wish Upon a Blackstar review

Also from the 'somehow we missed this' vat, Celldweller's new album is upon us.  We have mentioned this band here several times because many consider them to be the gold standard of electronic/synth rock. 

When you think Celldweller, think Blue Stahli.  Think I Will Never be the Same.  All of these artists share one thing in common--a propensity for thick, chunky, and groovy electronic rock tunes.  When listening to this album I almost thought it was too good for its own...good. 

Both undeniably glitchy and impossibly catchy, this album creates a fine balance between melancholic wandering, danceable grooves and fun electronic beats.  Not unlike the aforementioned bands, Celldweller uses distorted buzzing guitars in tandem with Reznor-esque singing with sparse screams. 

The one complaint I have with "Wish Upon a Blackstar" is that I feel it overstays its welcome by about 20 minutes.  The relentlessly catchy and singable tunes need a breather occasionally, but this album clocks in with a heft 16 tracks.  Some bands try so hard to create catchy tunes that they lose sight of the real purpose behind the music. 

This is a good album, but not in the same atmosphere as the latest I Will Never be the Same disc.  This music is fun to listen to but much like an amusement park, one can only take so much of it before they are ready for something else.  If you are in the mood for some poppy, dancy, groovy electronic synth rock music, then this album should fill the niche.  Don't take this disc too seriously or it will wear on you.  Just have fun with it.

Enjoy the full album stream via Celldweller's soundcloud page below.  As always, thanks for reading!

Free Downloads from Endless Melancholy and Blue Stahli

Here at ThinkMuzik, we love sharing brand new free music with our readers.  Call it a gift to our loyal fans, but there is little music better than free music. 

Today's first item is from Endless Melancholy, a solo musical project from the Ukraine.  This beautiful music is from the exceptionally talented fingers of Oleksii Sakevych.  Sakevych is not only talented, but is also self-taught.  This is incredibly impressive for an artist with no formal musical training.  Endless Melancholy, as the name implies, is a down tempo instrumental ambient project, from which the music is played mostly on keyboards with some slight atmospheric ambient nuances to add just the right amount of taste.  Drawing the line between instrumental post-rock and down tempo ambient music is a feat many artists have attempted, but where few have succeeded with such masterful results.  This music is sad and dreary, but oddly uplifting the way a single ray of light in a dark room can lift spirits and enrich outlooks.  For ambient music, this album is surprisingly not all that challenging a listen.  All it takes to enjoy it is an open mind and a willingness to take chances.  The last part of that statement is an easy undertaking, because Sakevych is offering his new album, "Before, After" as a name-your-price download from the Endless Melancholy bandcamp page, which is also where we are getting our full album stream from.  Check it out below.  If you feel inclined and don't hate PayPal, please donate a few bucks.  It will be worth it.


Our second item is a brilliant new single from Blue Stahli.  It is called Atom Smasher, and is downloadable from Soundcloud for absolutely free.  This single is classic Blue Stahli, as electronically distorted guitars clash with punchy samples at an alarming rate.  Blue Stahli is also affiliated the electronic rock project Celldweller.  Contrary to most Blue Stahli tunes, this new track is entirely free of vocals.  Sadly, it is criminally short, clocking in a just over two minutes.  Call it a teaser for a new album, which it sounds like will be entitled "Antisleep Vol. 3".  Check out the new track below!  Thanks for listening and enjoy!

The Luna Sequence-This is Bloodlust review

It is no secret by now that we dig electronic music here at ThinkMuzik.  Many artists and bands shun electronica music for the fact that an artist doesn't need to know how to play an instrument to succeed at making electronic music.  This is sad because, especially in this computer era, electronic instruments and devices can be used to make extraordinary music.  The melodies produced this way simply cannot be matched by any live instrument.  In that regard, live instruments are no better than computers, and vice-versa. 

Citing major influences Celldweller and Blue Stahli, American artist The Luna Sequence produce electronic, synth-laden rock-based music that is nothing short of breathtaking.  The Luna Sequence uses live drums and the occasional computer-modified guitar chord, but offsets that with samples, melodic keyboard synths, and switchboard tinkering.  The sound achieved through this process is much like the aforementioned Blue Stahli, but lighter, more dynamic, and vocal-free.  The tempo of the music is sometimes strong like a rock anthem and sometimes slower, similar to electronic ambient music. 

I have raved about this band here before.  The Luna Sequence is, in my opinion, one of the best electronica artists around.  The production quality is astounding, as every note and every sample can be heard clearly.  This music is also varied in that a casual listener can listen to the disc back to front three times straight and not get bored with it. As a matter of fact, each time I listen to it, the sound impresses me more and more.  This is hard to do.

Even if you are not a true fan of electronica music, The Luna Sequence offers something many can enjoy.  Fans of modern rock, symphonic/synth rock, metal, and pop could conceivably become fans.  "This is Bloodlust" is that good an album.  Check out the full album stream via The Luna Sequence's bandcamp page below.  Thanks for listening and, as always, enjoy!

My top Electronica artists

Hello everyone!  I'm flying solo today, mostly because Kristy isn't a fan of this type of music and doesn't know of enough artists to have any opinion one way or another.

The first thing you may imagine when you think about electronic music is cheesy, synthesized dance beats over a tapestry of record scratching and noodling 'bleep' sounds.  But these days, there is so much more you can do with electronic music.  Electronica music can be moody, disjointed, dissonant, ambient, and soulful just in the matter of how samples are mixed.  Some DJ's or artsists can do the job better than others.  If you haven't explored the realm of electronic music, there is a lot of great music you have been missing.  I love exploring new music and have only really 'discovered' electronica in the last year, so naturally, there is a lot I am missing.  My top three artists are as follows.

3. The Luna Sequence.  Similar in style to Celldweller or Blue Stahli, The Luna Sequence (aka Kaia Young) produce a rock-fused blast of hypnotic, dancy music that is really fun to listen to.  As with most electronic music, you have to go into it with an open mind or you will find yourself judging it before the sound registers in your brain.  Rock beats merge with higly distorted guitar sounds, loops, and samples to create a dazzling effect.  Listen to Sanctuary in Dying light from "This is Bloodlust" below.


2. Trentemøller.  Anders Trentemoller is a Danish producer and electronic musician who has been on the scene since 2006 with his album "The Last Resort."  This album is a fresh take on electronic music with twists of atmospheric ambiance bleeding through the rich texture of the music on most of the tracks.  Especially for a debut album, Trentemoller puts out an impressive array of sound that you really must hear to believe.  The track I have chosen is Always Something Better from "The Last Resort."


1. Ulrich Schnauss.  Over the years, German producer Schnauss has performed under various pseudonyms such as View to the Future and Ethereal 77 to name two.  He produces a musical downbeat variety similar to chillwave music on most of his projects.  In the music you hear lots of looping reverb with samples that sound much like acoustic guitar.  He has two albums under his real name, one with Jonas Munk and the other with Mark Peters.  Both are interesting listens, but the music on "Underrated Silence" is stunning.  Take a listen to Gift Horse's Mouth from "Underrated Silence" and see for yourself.
Thank you for reading and enjoy!