It's official. The scourge that was 2013 is behind us. Maybe the number 13 is really unlucky. It was a bad year for a lot of reasons, both personally and politically. And I don't follow politics. At all. It's pretty bad when political stuff gets me down. Fortunately, the year 2013 gave us a lot of great music.
Metal music as a genre had a very strong 2013. There were some surprises, some jaw-droppers, and yes, some snoozers. Picking the very best metal albums of the year and limiting the list to only 5 was a chore. The last thing I wanted to do was leave a great band who released a great album off the list, even though that's what honorable mentions are for.
1. In Vain-Aenigma
Norwegian metallers In Vain released their third full-length album in 2013. Following their excellent album Mantra with anything resembling greatness was going to be a tall order. No only did they pull it off, they did so with such gusto and flair that it was surprising. Whereas Manta as an expressive journey through progressive soundscapes and song structures, Aenigma is a heavy dosage of progressive metal tendencies, but with simpler structures and more straight-ahead undertones. Little of the blackness that marked Mantra feels retained. If it were even possible to improve on that last album as a whole, the vocals could have been left behind. But the vocals are even better here than on this album's predecessor. Listen here.
2. Leprous-Coal
Some bands do progressive Avant-Garde metal better than others. I was not high on this Norwegian band's music before. It came across as so proggy that it was not fun to listen to. So with trepidation I listened to the band's new release, Coal. My initial reaction was some combination of a curse word and a smile. It was much better than past Leprous albums, and darker. Despite the somewhat cheesy album cover, I felt compelled to listen. It was much, much better than I expected. Listen to one of the fantastic tracks here.
3. Omnium Gatherum-Beyond
I have always enjoyed Finnish band Omnium Gatherum's atmospheric keyboard melodies played against chunky melodeath. As a result, the new disc, Beyond was highly anticipated. How would the band follow up the mesmerizing New World Shadows? They did it by making a record just as majestic and crushingly heavy. They don't use many clean vocals on this release, but when they do, they are very good. I knew after listening to that album that it would make some year-end lists. And mine is not the only list it appeared on. Listen to a track below.
4. Amorphis-Circle
In recent years, Finnish metal band Amorphis have floundered in relatively uninspiring albums. While Eclipse, The Beginning of Times, and Skyforger were not bad albums, they generally failed to live up to the fans' lofty expectations. Their sound was becoming less and less heavy and more experimental. With the notion that Amorphis was a band on a downward trend, I listened to Circle anyway. My opinion is that this album is the band's best since their early career. On this album they successfully marry the heavy that had been missing with the melody that has defined Amorphis' career. Listen here.
5. Fleshgod Apocalypse-Labyrinth
The heaviest music in our lists this year comes from Italian symphonic metal band Fleshgod Apocalypse. I have been a fan since the EP Mafia was released. Since then, the bend have incorporated an increased symphonic presence in the madness of ultra-heavy music. This album is complete with technical guitar wizardry and inhumanly fast blasting drums. The symphonic keyboards are not overdone and, even when choral sections emerge, they do not overstay their welcome. If you are not familiar with this band, you might want to wear a neck brace while listening to this track.
As usual, I have quite a few honorable mentions to share. I highly recommend checking out the music below. Here are the honorable mentions in no particular order:
Mechina-Empyrean
Vallendusk-Black Clouds Gathering
Amaranthe-The Nexus
Dark Tranquillity-Construct
Deadlock-The Arsonist
Erimha-Reign Through Immortality
In Quest-The Odyssey of Eternity
Man Must Die-Peace was Never an Option
The Monolith Deathcult-Tetragrammaton
MyGrain-Planetary Breathing
Neaera-Ours is the Storm
Noumena-Death Walks with Me
Persefone-Spiritual Migration
ReVamp-Wild Card
Soilwork-The Living Infinite
Sulphur Aeon-Swallowed by the Ocean's Tide
Ulcerate-Vermis
Windhand-Soma
Wolfheart-Winterborn
As always, thanks for reading and enjoy!
Showing posts with label black metal. Show all posts
Showing posts with label black metal. Show all posts
Wednesday, January 1, 2014
Wednesday, July 24, 2013
In Vain-Aenigma review
Metal has a strange trend going on right now in regards to album titles. It has become baffling normal for a metal, especially one from overseas to use this Latin-themed character as the first letter of an album title: Æ.
I'm not sure why this is. Maybe it makes the album title seem more metal. I find it weird and difficult to type in using a normal keyboard without finding the character online, copying, and pasting.
In Vain is a lesser known metal band from Norway, whose music is really well-constructed. In terms of metallic style, one could realistically categorize In Vain's music as progressive metal, black metal, or even melodeath. I would call it a creative amalgam of all three styles. This album contains sections of full-on thrashing shred, progressive guitar leads, and blackened viciousness.
Make no mistake that this album is extreme metal. "Ænigma" shows the band taking their sound to a whole new level and improving on both technicality and production. This is a heavy disc, but it still sounds very progressive. Production values are very crisp, which allows the guitar leads and acoustic sections to shine.
Vocals are even more chaotic than they were on the band's previous album, "Mantra." However, there is a fair amount of clean singing on this album, which I find to be welcome. In Vain used this vocal style on "Mantra," but more sparingly. "Mantra" was a masterful record and incredibly well-written. By contrast, "Ænigma" sounds more mature and more polished. While few of the songs are instantly memorable, the album as a whole carries and unmistakable vibe. After a couple of listens, I can attest that this album is every bit as good as "Mantra" was.
If you have not heard any of this band's previous work, you definitely should check it out. I have attached the whole album stream via YouTube below for your listening pleasure. As always, thanks for listening and enjoy!
Friday, October 5, 2012
Falloch-Where Distant Spirits Remain Reveiw
Falloch's new album, "Where Distant Spirits Remain" was first presented to me as an atmospheric ambient metal album. Needless to say, I was confused enough to go listen to a track from the album. What I heard blew me away.
The description was more or less accurate, though I would take somewhat of an expetion to calling this band a metal band. The music is mostly keyboard and guitar-based, fusing long, stretched melodies with soulful guitar plucking and the occasional pedal loop effect. Many of the basic power riffs serve to accentuate the atmospherics and to draw in a sense of doom to the music. Additonally, the band employs elements from post rock, folk, and black metal, at times mixing in flutes and strings to deepen the texture of the songs.
The vocals are a blend of looping solo clean singing and raw shrieks similar to the style of vocals that many black metal bands use. They are powerful when they need to be and sorrowful when circumstances warrant.
Falloch's name was taken from a local landmark called the Falls of Falloch, which is a waterfall in Scotland. Falloch hails from Glasgow. The feelings this album evoke are of melancholic wind brushing over grassy rolling hills. You hear tales of sadness and wonder, and dire fears. In truth it is somewhat difficult to put into words every emotion this album carries.
"Where Distant Spirits Remain" is an incredibly diverse album that can satiate cravings for numerous styles of music. I highly reccomend this music to almost anyone who enjoys thoughtful, challenging music that flies against the conventions of popular music genres. Enjoy We are Gathering Dust below. Thanks for reading and enjoy :)
Labels:
ambient,
atmospheric,
black metal,
Falloch,
folk,
metal,
post rock
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