Syahmi Rawi-The Odyssey

If you paid attention to our last installment here, you will know who the subject of today's edition is.  Syahmi Rawi is the brother of Zuhair Rawi.  Together they form Malaysian post-rock duo Gespenst.  A few months ago I found a new solo EP called "The Odyssey."  Fluttery Records more than mentioned the Gespenst connection, after my initial listen to "The Odyssey" I decided I needed to check out Gespenst.

When talking about artists who are part of other bands, it is almost unavoidable making comparisons to said group, so I apologize in advance if this rubs any of you the wrong way.

In contrast to the richly instrumental-driven Gespenst sound, Syahmi Rawi uses a more earthly sound constructed mostly of pianos and string arrangements.  As such, it is a completely different style of post rock.  I would even hesitate to call it post rock, as it is much more in line with Endless Melancholy or Olekksii. 

For an EP it is often difficult to say much about the music.  There are still layered undertones of atmosphere present, but these influences are subtler and so, do not dominate the music.  The album starts off with some heavy breathing set against a somber prelude of keyboard before the other instrumentals kicks in.  This sound seems a little too bland for my tastes, but the intensity picks up when the labored breathing fades.  This results in a more sonically pleasing sound.  From there, the EP gets better and better.  The minimalist string sections create an interesting juxtaposition with the soft and simple pianos.

Rawi is a masterful musician.  In contrast to Gespenst, there are very few electronic interruptions to the music.  If I had to categorize "The Odyssey" with an established genre, I would label this as instrumental ambient music. 

As I have stated, this album is an EP which is composed of six short tracks.  You can listen to the album stream below.  If the breathing bothers you, you can always skip to the next track.  Enjoy!

Elara-Soundtrack for a Quiet Place

Fluttery Records has just released a brand new EP from an Italian band called Elara.  The description of the band is what intrigued me the most, so I listened to the new EP.

"Soundtrack for a Quiet Place" is three brilliant cinematic post rock tracks.  I found this release to be extremely impressive.  For music with the usual post rock centerpieces of screeching guitars over ambiance, this album counters with a grand orchestral backdrop that brings to mind film scores.  When you try to envision what this sounds like, imagine a cross between Mono and If These Trees Could Talk. 

These three tracks generate an emphatic atmosphere that underscores guitar distortion with smooth, repetitive riffs.  The string arrangements permeate this atmosphere with a tangible quality almost reminiscent of later Romantic-era works, but emphasize epic cinematic qualities.

This is the best I can describe the music in this EP.  What I can tell you is that I was completely floored when I listened to it.  This was very impressive work that made me wish it was a full-length album rather than an EP.  Still, Fluttery Records is not asking for a ton of money on this one so it is worth it to check out.  "Soundtrack for a Quiet Place" is available through Fluttery Records' bandcamp page, as well as their website.  It is also available through Amazon if, like me, you prefer that route.  Check out the full stream of this glorious EP with the graceful wolves on the cover below.  Thanks for reading and enjoy!

Inner Trip-Initiate review

The most interesting aspect of post rock music is that it can often take on other forms entirely.  One album may incorporate so much orchestral elements that it sounds like reverb-laden neoclassical music, while another may be more based on rock sensibilities.

Inner Trip, a solo act by Saman N, produces quiet, introspective post rock music leaning more toward electronic soundscapes and ambient structures with cinematic elements.  This artist is versatile.  While most songs on this album are purely instrumental, some include Trent Reznor-esqe industrial vocals that are sufficiently tasteful and not over-produced.  Put simply this is an interesting and unique listening experience.

Released by Fluttery Records, "Initiate" brings forth a certain charm that is not found in most post rock.  Middle-Eastern styled instruments sneak their way into the mix from time to time, never staying long enough to become overbearing or redundant.  At the same time, you get more of what you are expecting from post rock music, with a lot of echoing guitars and pianos, few drum sections, and long, drawn-out downbeat instrumentation. 

Fluttery Records' website mentions that Saman N, who resides in Iran, had to overcome a substantial amount of prejudice to win fans and land a record deal.  This is sad, because in my opinion, one's religious or political leanings should in no way determine how an artist is received, especially when such influences are not a focal part of the music said artist produces. 

Early on with this album, I found myself somewhat disappointed due to what i perceived as a lagging introduction.  This problem worked itself out later on in the album by building to a satisfying climax, where the varied instruments and electronic sounds reached a pitch that brought out a sweet atmosphere.  I feel confident that I can strongly recommend this album to fans of post rock music as well as those that are more interested in cinematic and contemporary music.  This is indeed a good listen that does not get old with repeated listens.  You can listen to the entire album below.  Thanks for reading and enjoy!